New abstract dot painting: “Straightening”
Presenting my latest piece, 3 feet by 3 feet, “Straightening” (more about the title later):
Up until now, the biggest abstract dot painting I’d done was 2 feet square. This is MUCH bigger. The area is more than double. It was a real challenge.
Here’s a closer look at the dots:
The background of the painting is collaged newsprint, a new medium for me. By introducing something other than paint into this painting, it magically becomes a “mixed media” piece instead of my usual “acrylic on canvas.” (There’s a little art-world lingo for ya.) I personally find “mixed media” annoyingly unspecific as a descriptor, but that’s the accepted usage.
This painting will be on display at the Los Angeles Municipal Art Gallery from July 24 to September 25, 2011 in the Open Call 2011 show. (Along with about 1000 pieces by other artists. Yikes.)
This is a continuation of my abstract dot series of paintings, which includes “Square, Red,” “Yellow Square,” and the recently completed “Multi-Colored Dots.” Besides being much bigger, this new one breaks out of the concentric-square motif for a more linear approach. I’m looking to blur boundaries, such as the distinction between geometric and organic shapes. The lines of dots are straight-ish, but not really straight. Most of the lines, but not all, are continuous. The colors form a pattern that repeats, but the pattern is not strictly adhered to. The vertical columns of newsprint text (also not perfectly straight) provide a subtle vertical counterpoint to the horizontality of the lines of dots.
The title of the piece, “Straightening,” is an homage to the famous “Straightening Spears” paintings by Turkey Tolson Tjupurrula, one of the more famous Pintupi Aboriginal artists from Australia. My composition in this piece owes greatly to his work, so I thought I should honor him with the title.